© 2017

Burkhard Stangl

*1960, composer/performer, guitar, electronic devices

works in the field of non-ideomatic improvisation, electronica and contemporary classical. studies: classical guitar; electric guitar (autodidacted); cultural anthropology, musicology (thesis about the effects of the phonograph on cultural anthropology [book: Ethnologie im Ohr]). long term guitar-player at Franz Koglmann’s projects (Monoblue Quartet, Pipetet); founder of the ensembles Ton.Art (advanced jazz /1985-1995), Maxixe (new music chamber ensemble / 1991 ff.) and Extended Heritage (Butcher/Castelló/Dieb13/Reiter/Roisz/Stangl /2006); member of polwechsel (1993-2004), efzeg and the year of.

solo-works (Récital 1/1996, Récital 2/2006, Récital 3/2007)

duos with Christof Kurzmann (Schnee), Taku Unami (i was), Taku Sugimoto (an oldfashioned duett), Angélica Castelló (Chesterfield) and Kai Fagaschinski

trio with Dieb 13 & Billy Roisz (EH)

quartet with Dieb 13, Billy Roisz & Angélica Castelló (CastEHllo)

compositions for choir, piano, chamber music (a.o. for Maxixe, Klangforum Wien); opera-project moon of Venus (1997-2002) together with the poet Oswald Egger.

music for films, gustav deutsch: film.ist 7-12 (together with siewert/fennesz/dafeldecker) welt.spiegel.kino (with fennesz)

CDs: all together more than 50 CD-releases. concerts and festivals in europe, america, asia and africa.
lives and works in vienna.

See also
Klingt.org: 10 Jahre Bessere Farben (mikroton cd 5 | 6)
Why Is The Sea So Blue (mikroton cd 26)
Scuba (mikroton cd 30)